The following publications are available from contact@tarf.info. Prices listed do not include postage and package.
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Title: Alchemists of the Stage: Theatre Laboratories in Europe (2009)
Author: Mirella Schino
ISBN: 978-83-61835-08-0
Price: €20
The first book on the motivations and experiences of theatre laboratories in Europe with detailed descriptions about the Studios and the laboratory activity of Stanislavski, Meyerhold, Decroux, Grotowski and Flaszen as well as Odin Teatret.
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Title: Eurasian Theatre. Drama and Performance Between East and West from Classical Antiquity to the Present (2010)
Author: Nicola Savarese
ISBN: 978-83-61835-24-0
Price: €27
A long history of travelling actors moving between East and West has slowly taken shape, and lies at the foundation of our contemporary, professional perfomative arts. This updated and revised edition of Teatro e spettacolo fra Oriente e Occiente (first published in 1992), traces this history from classical antiquity to the present. The book constitutes the first complete in-depth historiographic inquiry into the subject. |
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Title: Grotowski and Company (2010)
Author: Ludwik Flaszen
ISBN: 978-83-61835-12-7
Price: €22
This collection by Ludwik Flaszen gathers together key texts, nearly all of which have never before been published in English. It provides insight into the concepts behind the practice of one of the twentieth-century theatre’s leading lights, and introduces the cultural, literary and historical dimensions of his work. |
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Title: Stepping Stones (2010)
Author: Ingemar Lindh
ISBN: 978-83-61835-44-8
Price: €17
A book by a practitioner. It documents the work of a laboratory-based practice that investigated the principles of collective improvisation as a performance practice. Ingemar Lindh’s research, which announces a resistance to choreography, fixed scores, and directorial montage, has significant implications for the practice and theory of performance in a post-dramatic age. |
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Title: Theatre and Boxing: The Actor Who Flies (forthcoming 2011)
Author: Franco Ruffini
This book deals with one of the main technical features in acting: the actor’s ‘real action’, the action that is motivated and productive, as Stanislavski specified. When it is motivated and productive – that is, real – the actor’s action is not only readable but also believable. The whole science of the theatre developed by the masters of the twentieth-century Great Theatre Reform is founded on the search for ‘real action’. |