Frank Camilleri Publications

Books

• Dramaturgy of a Performance Process (Malta: Icarus Performance Project, 2006). ISBN 99932-0-418-8 (72 pages)
• Id-Descartes: Identity of a Dramaturgy, with John J. Schranz (Malta: GHE, 1996). ISBN 99909-68-16-0 (64 pages)

Edited Books

• Stepping Stones by Ingemar Lindh (Icarus Publishing Enterprise: Holstebro–Malta–Wrocław), 2010. ISBN 978-83-61835-44-8 (232 pages)
• The Second Phase (Malta: Icarus Performance Project, 2004). ISBN 99932-0-308-8 (32 pages)
• ICARUS 4 (Malta: Icarus GHE, 2003). ISBN 99932-0-244-4 (24 pages)

Translations

• Traces: The Training and Story of an Odin Teatret Actress by Roberta Carreri, forthcoming.

Articles

• ‘Between Laboratory and Institution: Practice as Research in No Man’s Land’, TDR: The Drama Review, forthcoming.
• ‘Of Crossroads and Undercurrents: Ingemar Lindh’s Practice of Collective Improvisation and Jerzy Grotowski’, New Theatre Quarterly, 27:4 (2011), 299–312.
• Introduction and Glossary of Terms, Stepping Stones by Ingemar Lindh (Icarus Publishing Enterprise: Holstebro–Malta–Wrocław, 2010), pp. xiii–xxv, 211–31.
• ‘Tekhnē Sessions: Investigating Dynamic Aliveness in the Actor’s Work’, Theatre, Dance and Performance Training, 1:2 (2010), 157–71.
• ‘Of Pounds of Flesh and Trojan Horses: Performer Training in the Twenty-first Century’, On Training special issue, Performance Research, 14:2 (2009), 26–34.
• ‘Tilting at Windmills: A Case Study Investigating Embodiment, Performativity, and Dramaturgy’ (Icarus Performance Project, 2009), www.icarusproject.info/documentation (5,722 words).
• ‘Collective Improvisation: The Practice and Vision of Ingemar Lindh’, TDR: The Drama Review, 52:4 (T200) Winter 2008, 82–97.
• ‘“To Push the Actor-Training to Its Extreme”: Training Process in Ingemar Lindh’s Practice of Collective Improvisation’, Contemporary Theatre Review, 18:4 (2008), 425–41.
• ‘Hospitality and the Ethics of Improvisation in the Work of Ingemar Lindh’, New Theatre Quarterly, 24:3 (2008), 246–59.
• ‘Exploring the Liminal: Engaging the Space between Training and Performance Process’, International Theatre Movement Conference: At the Moscow Art Theatre School, April 2007, ed. by Bruce Wooding (London: Central School of Speech and Drama, 2008), pp. 27–30.
• ‘I can still feel his eyes on me’, an interview by Elzbieta Stelmaszczyk, in Pogranicza (Polish journal) 1/2003 (42), pp. 29–43. A substantial part of this interview has also been included in a book by Juliusz Tyszka (Szczecin: Studio 69, 2002), pp. 80–88.
• ‘Gisem l’Isem: Il-Kitba tat-Teatru f’Malta’, in Il-Kitba Teatrali f’Malta: Hemm xi Krizi?, conference proceedings, eds. V. Cremona, M. Galea, I. Mifsud (Malta: Malta University Press, 1998), pp. 76–83.

Performance Work: Devised, Performed, & Directed

The Queen Project (2006–2008)

• Duration 56 (May/June 2008), Icarus Performance Project, Malta.
• RISK: El Riesgo de La Reina (July/August 2007), Icarus Performance Project, Malta.
• La Reina: A Vocal Structure (August 2006), Icarus Performance Project, Malta.

Cain Project (2001–2005)

• Lamentations of Cain (August 2005), Icarus Project Third Phase presentation, Malta.
• Amargo TWO (Oct 2004), Icarus Project Second Phase presentation: trio fused with a chorus, Malta.
• TWO.2 (August 2004), Icarus Project Second Phase presentation: duo fused with a solo, Malta.
• TWO (April 2004), Icarus Project Second Phase presentation: two solos fused as a duo, Malta.
• ICARUS 4 (2003), Icarus Project First Phase presentation: four solos, Malta.
• Amargo: The Tragedy of the Man Doomed to Die (2002–03), solo performance, Malta.

Other Projects

• Tekhnē Sessions has been presented in various contexts, either as a full or as a conference presentation, including Malta (2003, 2004), Adam Mickiewicz University (Poland, 2004), University of Exeter (UK, 2006), Moscow Art Theatre School (Russia, 2007), University of Evora (Portugal, 2007), and University of Plymouth (UK, 2009).
• Id-Descartes, solo performance co-created with John J. Schranz: Malta (1996, 1997, 2001), Sassari (Sardinia, 1996, 2000), Urbino (Italy, 1997, 2002), Biella (Italy, 1997), Rome (1998), Tartu (Estonia, 1999), Edinburgh (1999), Thessaloniki (2001), Poznan (Poland, 2002), Ragusa (Sicily, 2003).

Performance Work: Performed

• La Pietra e il Dolore, directed by Lech Raczak, Urbino (Italy), 1996.
• Inkontri Possibbli, directed by John J. Schranz, Malta (1995, 1996), Rome (1995), Pontedera (1996).
• La Vita di S. Giovanni, directed by Lech Raczak, Urbino (Italy), 1994.
• Berlin! Berlin!, directed by John J. Schranz, Malta, 1992.

Audio-Visual Publications

• D56, DVD (Canterbury: Icarus Performance Project and Foreign Body Films, 2009).
• Lamentations of Cain, DVD (Malta: Icarus Performance Project, 2007).
• ‘Structure/Improvisation: Investigating the Performative Condition’, in The Changing Body Symposium, DVD-ROM (Exeter Digital Archives: Arts Documentation Unit, University of Exeter, 2006).
• Tekhnē Sessions 2004, DVD (Malta: Icarus Performance Project, 2005).